Play Along Piano

Tags

Opera

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

N°37. Here is The Summer

FranckM.

1:04	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	20	3	5	100%
	19	8	3	4	99%
Alto	10	0	1	4	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	20	3	5	100%
	19	8	3	4	99%
Alto	10	0	1	4	50%

HWV1A2N21 - Zweier Augen Majestät

edward.maurath

2:35	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
Bassoon	17	0	6	5	60%
	21	0	5	2	100%

HWV1A2N30 - Sanerà la piaga un dì

edward.maurath

3:30	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	45	6	4	98%
	23	14	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	45	6	4	98%
	23	14	5	2	100%
Bassoon Continuo	22	0	5	2	98%
Soprano as Almira	15	0	3	6	87%

HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major

edward.maurath

6:14	Est. Play Time
85	Measures
	1,786Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
Violoncello Continuo	20	0	3	4	99%
Vln 1	24	0	6	3	81%
Vln 2	23	0	6	3	81%
Kontrebaß	22	0	4	3	78%
Berengario	18	0	5	7	69%
Violas	16	0	4	3	46%

Work of Zwink 9

Zwink, Tyler

4:32	Est. Play Time
104	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
Bass	13	1	3	7	68%
Electric Guitar	11	0	3	4	35%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
Violoncelle	21	3	4	8	100%
Alto	18	25	4	4	97%
Contrebasse	14	0	2	4	97%
Basson	22	26	6	7	94%
Hautbois	20	22	6	7	93%
Basses	18	2	4	7	86%
Borsa	19	0	5	8	85%
Ceprano	17	0	3	7	85%
Marullo	16	0	4	7	85%
Ténors	20	21	6	8	85%
Flûte	18	0	4	8	82%
Duc	6	0	1	4	18%

Phantom of the Opera

bakpak2hvy

2:08	Est. Play Time
58	Measures
	3,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
C Tuba	14	5	5	2	100%
Contrabass	12	0	5	2	100%
Violoncello	14	0	5	2	100%
Tubular Bells	14	8	2	7	96%
Horn 3 4	22	15	10	5	81%
Trombone	18	15	7	5	77%
	19	0	6	5	77%
Violin 1	20	0	4	5	77%
Viola	21	7	8	5	74%
Oboe 1	19	5	7	5	70%
B Clarinet 1	21	0	6	5	67%
B Clarinet 2	21	15	8	5	67%
B Trumpet 1	18	0	7	5	67%
Horn 1 2	17	0	6	5	67%
Violin 2	22	11	6	5	67%
B Trumpet 2	17	15	8	5	65%
Flute 1	21	0	7	5	63%
Flute 2	21	16	8	5	63%
Glockenspiel	21	12	8	5	61%
Timpani	5	0	1	4	14%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
Bass	16	10	3	12	85%
Tenor	13	9	2	11	80%
Alto	11	0	1	10	79%
Soprano	19	2	3	9	78%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Bertarido	13	0	2	6	76%
Vln 1	14	0	0	7	57%
Contrabass Continuo	11	0	0	4	53%
Viola	10	0	0	4	47%
Vln 2	11	0	0	5	47%

HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)

edward.maurath

1:32	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
Amarilli	14	0	5	3	100%
Contrabasses	11	0	4	3	100%
Violas	9	0	2	4	100%
Violins 1	12	0	4	3	100%
Violins 2	11	0	4	3	100%
Violoncello	11	0	4	3	100%
Violoncellos	11	0	4	3	100%

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
Harpsichord	17	36	5	4	98%
	24	29	7	4	100%
Violoncello	20	0	6	4	100%
Almira	14	0	6	4	88%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

Pa... pa... pa...

Alex Cook1

2:23	Est. Play Time
129	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	59	3	7	100%
	19	19	3	5	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	59	3	7	100%
	19	19	3	5	98%
Papagena	13	0	1	6	78%
Papageno	11	0	2	6	78%